The Bohemian

Life of the Comfortably Uncomfortable

While many baked bread or became plant parents the rebel in me had to take it a step further. But how? In July, during my daily social media scroll I got my answer. Any event you attend nowadays comes with the risk of catching the modern-day plague so in true extremist fashion I choose to attend my first sex party: the prolific Mistress Marley’s Black and Kinky play party to be exact.

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Hurt Me Soul

Please hear me when I say that, as a Black animation fan, I wanted to love Pixar’s Soul with every fiber of my being. I mean that. I saw that single photo of the barbershop and knew that if only one good thing came out of 2020 it was going to be Soul. Was it? Nah, but that’s not why we’re here.

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Our Bohemian Roots

For those that don’t know, The Bohemian Monthly was once a print magazine started by some Johns Hopkins’ graduates tying to say something about a world that we were just thrown into. I would tell you the story, but I think our founders could tell it better than I ever could.

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House of Ease
KEEPIN IT FRANK OCEAN

Buddhism often discusses suffering and how it permeates all parts of our lives. Our continued desire for more and for permanence causes us pain that we can too easily linger in if we are not aware of the destructive and insidiously seductive nature of negativity. However inherent suffering can be to life, acknowledging its presence does not mean we have to allow ourselves to succumb to it.

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No Phone. Now What?

Phones, tablets and laptops are the skeleton keys to our world. Think about it, when’s the last time you didn’t reach for your phone or laptop for longer than twenty minutes. Before these uncharted times of social distancing how much of your time didn’t involve a blue glare reflecting back at you? 

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Why I’m Never Quitting Theatre: A Call to Action from a Black Director

Not nearly enough has changed in terms of the complexity of roles written for black actors onstage. While I feel our representation is frequently discussed in film and media, the conversation about black theatre is treated like the stepchild who needs braces. Theatre has long been viewed as a white space, but it is the job of black and brown writers to change the narrative.

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